https://kyoko-takahashi.cargo.site
2026-10-10T18:12:46+00:00
always
0.5
https://freight.cargo.site/t/original/i/N858976818839070304275324021340/horizontal.svg
https://kyoko-takahashi.cargo.site/work
2026-07-31T23:30:35+00:00
always
0.5
https://kyoko-takahashi.cargo.site/scroll-to-top-button
2024-06-18T20:14:38+00:00
always
0.5
https://kyoko-takahashi.cargo.site/onomatopee-rebranding
2026-10-10T18:35:48+00:00
always
0.5
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https://freight.cargo.site/t/original/i/V3071070696830324824480686543937/Letterhead_GIF2.mp4
https://kyoko-takahashi.cargo.site/book-cover-generator
2026-10-10T18:32:53+00:00
always
0.5
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https://freight.cargo.site/t/original/i/L3174481218101438578899407868993/Eno_Talk.mp4
https://kyoko-takahashi.cargo.site/incomplete-encyclopedia-of-memory
2026-07-31T22:45:02+00:00
always
0.5
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https://freight.cargo.site/t/original/i/M1868218581702842895169107530817/web
The website includes several generative effects I used in the book. I hoped that the audience would be intrigued by the book through the experiences.<br />
The effects in motion are shown below.
https://freight.cargo.site/t/original/i/R1868222118626211356017405727809/Web1.mp4
Effect #1: An effect where the letters fall apart when people touch them. I created this effect to evoke the image of a memory that we thought we vaguely remembered, but when we actually touched it, it fell apart and crumbled.
https://freight.cargo.site/t/original/i/D1868227364640418246055661147201/Web3.mp4
Effect #3: An effect that expresses vague contours of memory. When the webcam is turned on, the images are stacked in a box-like pattern, with the darkest image at the position where the pointer is placed, and the farther away the pointer is, the whiter the image becomes.
https://freight.cargo.site/t/original/i/O1868234552026864941434547737665/Web2_1.mp4
Effect #2: An effect I created inspired by a quote from the book, “the default for humans is to forget; the default for computer is to remember.” The left side shows the ambiguity of human memory, while the right side shows a view is quantified and perfectly remembered by computers. You can play with the webcam turned on. Also you can adjust the degree of blurriness with the slider.
https://freight.cargo.site/t/original/i/Q1868237834551185881754419598401/Slide_think_1.mp4
It has a bookmark with the same pattern as the cover. Slide it over the cover and you can observe a glimmer like synapses firing. (Masaya Ishikawa(2021), <a href="https://hillslife.jp/series/seeing-creates-something/layers-act/" target="_blank">Layers Act</a>)
https://freight.cargo.site/t/original/i/V1868252288792652742052941141057/Slide_feel_2_1.mp4
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I like experiments both analog and digital. I created the image at the beginning of the feel part by melting straws to make objects and photographing them with light shining on them from behind.
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https://freight.cargo.site/t/original/i/P1868323849578979276843297018945/Incomplete Encyclopedia of Memory
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The feel part is designed to be flipped backwards from the way the English page is turned, so arrows are provided to guide the reading order.
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https://kyoko-takahashi.cargo.site/scratching-the-surface
2026-07-31T22:45:02+00:00
always
0.5
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https://kyoko-takahashi.cargo.site/-nikon-rebranding
2026-10-10T18:37:27+00:00
always
0.5
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https://freight.cargo.site/t/original/i/B1826088647785365251268368667713/KyokoT_9.png
https://freight.cargo.site/t/original/i/R1826088934927383502631249122369/KyokoT.mp4
https://freight.cargo.site/t/original/i/E1826089142158106426684351976513/KyokoT_Guide4.png
Since the typeface on which the logo is based is wide, I chose a narrower typography to combine with it to create depth on the canvas while at the same <br />
time expressing a sense of precision.
https://freight.cargo.site/t/original/i/G1826089267725093336425269826625/KyokoT_Guide2.png
The corporate color yellow, which is currently used by the company, is a <br />
unique color not found in other companies in the industry, so I kept it and <br />
used a gradient to connect it with the more warm orange-magenta color.
https://freight.cargo.site/t/original/i/S1826089311683684464075131327553/KyokoT_Guide3.png
I set up the arrows and the frame, taken from the logo, as secondary elements. <br />
I also use a scale pattern for precision and a gradient bar for modest color.
https://freight.cargo.site/t/original/i/O1826089551269996493414787716161/NIKON_Pin_Button_Mockup_4.png
https://freight.cargo.site/t/original/i/O1826089629336617413353610155073/CD4_Mockup_WK146.png
https://freight.cargo.site/t/original/i/E1826096787484974751902857434177/CD4.004.png
https://freight.cargo.site/t/original/i/E1826096787448081263755438330945/CD4.002.png
https://freight.cargo.site/t/original/i/D1826096787466528007829147882561/CD4.003.png
https://freight.cargo.site/t/original/i/G1826096787429634519681728779329/CD4.001.png
https://freight.cargo.site/t/original/i/K1826097589641640797162709455937/Process_Indesign.png
https://freight.cargo.site/t/original/i/V1826097589715427773457547662401/Process_Indesign5.png
Initial draft sketches for logo animation.
https://freight.cargo.site/t/original/i/J1826097589752321261604966765633/Process_Indesign7.png
I adjusted the distance between the dot and the stem of “i" according to the size of the logo. The stroke of k was also adjusted to appear constant.
https://freight.cargo.site/t/original/i/P1826097589696981029383838110785/Process_Indesign4.png
https://freight.cargo.site/t/original/i/D1826097589733874517531257214017/Process_Indesign6.png
Initial sketch of the business card design.
https://freight.cargo.site/t/original/i/M1826097589678534285310128559169/Process_Indesign3.png
https://freight.cargo.site/t/original/i/R1826097589660087541236419007553/Process_Indesign2.png
https://freight.cargo.site/t/original/i/Y1826117913766199120356522071105/IMG_97650.75x.png
https://freight.cargo.site/t/original/i/W1826629783557723099102601024577/Cover3.png
https://kyoko-takahashi.cargo.site/pencils-in-nature
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https://freight.cargo.site/t/original/i/J1826181113270626341113255171137/Kyoko_Takahashi_GrainsofEraser.png
https://freight.cargo.site/t/original/i/S1826181144390283593461268747329/Kyoko_Takahashi_PencilInsect.png
https://freight.cargo.site/t/original/i/V1826181291373940372778976023617/IMG_57110.25x.png
https://freight.cargo.site/t/original/i/U1826181291337046884631556920385/IMG_57030.25x.png
https://freight.cargo.site/t/original/i/L1826181405762200373851905594433/selected_20.33x.png
https://freight.cargo.site/t/original/i/R1826204806656096239209251345473/download.png
https://freight.cargo.site/t/original/i/Y1826208396687640888267348644929/Materials-for-Art-and-Design_Process-Book.013.png
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https://freight.cargo.site/t/original/i/N1826208396595407167898800886849/Materials-for-Art-and-Design_Process-Book.008.png
https://freight.cargo.site/t/original/i/C1826208396521620191603962680385/Materials-for-Art-and-Design_Process-Book.004.png
https://freight.cargo.site/t/original/i/H1826208396503173447530253128769/Materials-for-Art-and-Design_Process-Book.003.png
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https://freight.cargo.site/t/original/i/A1826208396613853911972510438465/Materials-for-Art-and-Design_Process-Book.009.png
https://kyoko-takahashi.cargo.site/the-life-with-onomatopoeia
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https://freight.cargo.site/t/original/i/A1826222904553792770839536735297/Group-77.png
https://freight.cargo.site/t/original/i/J1826222949397827614027456713793/image-95.png
https://freight.cargo.site/t/original/i/T1826225129452488989095976244289/the life with onomatopoeia
https://freight.cargo.site/t/original/i/W1826231462109049029142788707393/Screen-Shot-2022-11-08-at-1.28.40-PM.png
https://kyoko-takahashi.cargo.site/page-nav
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https://kyoko-takahashi.cargo.site/top-nav
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https://freight.cargo.site/t/original/i/W1868114373204771922560757797953/cover.png
https://kyoko-takahashi.cargo.site/top-nav-copy
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https://kyoko-takahashi.cargo.site/footer
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